I rented a booth at a holiday boutique to sell my books. Knowing that I can promote other people’s products much better than I can my own, I invited two friends who write in basically the same genre to share my table. To my great delight, the scheme worked. We all sold books, and we all had a great time. To me, the moving target that is self-promotion is easier to vector in on with friends. It seemed that even the shoppers who didn’t buy our books spent more time listening to our pitch when there were three of us at the table. You might think bringing in competition would hurt my chances of making a sale, but it didn’t work out that way. Next time you’re planning a book event, consider helping another author and see how it helps you.
Luck and wisdom!
PS – Shameless self-promotion alert, you can buy The Chenille Ultimatumhere.
The first step in making scraps is to have a plan. I had a plan for the last two days, then stuff happened and I ended up with scraps of days. The people who created the kit I just finished also had a plan, a reasonably good plan, but I ended up with scraps anyway.
The kit for this lovely pear was included in one of the many embroidery grab bags I bought at a silent auction. I’ve been working on it while watching TV at night, and finally finished it. That’s the good news. The not-so-good news for a craft supply hoarder is that the kit designers made sure there would be enough floss to finish the project no matter how incompetent the stitcher.
This is beautiful floss, and I’m not about to toss it. I am, however, exceptionally lazy and I’m not about to wind it on spools and file it neatly. Instead, I’ve been trying to come up with odd projects (and the key word here really is odd) that will use up the floss.
This will end up in my science fiction quilt series – just don’t ask me how or when. If I’m very lucky, I’ll be able to combine some of my quilting scraps with the cross-stitch, but I’m not holding my breath.
I guess what I really need is the inspiration for a blog post titled Scraps and How to Get Rid of Them Without Actually Making Another Quilt.
Once again the Challenge assignment is helping me clear out stuff. We were tasked with interpreting a piece of literature in fabric. I decided to do some shameless self-promotion (as well as some back story work) and use one of my own stories. I’m writing a novel set in the far future on a planet that has been invaded by Earth. I decided I would make a tapestry suitable for the thirty-whatever century. This is the beginning:
The background is from my collection of space-ish fabrics. The planet is a convergence exercise my friend Ann Anastasio gave me when she was clearing out her studio (I’m not sure she meant to do that, but I found a use for it and she hadn’t so there). I tipped the convergence piece on its side to look like a landing zone grid.
From there I added a Celtic twist ribbon, since my humans represent the Third Viking Hegemony, and a Celtic twist was the closest I could get to something a Viking might use.
The quilting represents shock waves around ships.
These will be the ships.
I have a huge collection of buttons that remind me of space ships. I intend to use lots of them on this quilt. I also have a huge collection of trims:
I used one on the sides in place of binding.
Underneath that Celtic twist ribbon will be some sort of legend for interpreting the tapestry. I also decided to quilt in some insignia. I have a logo (a Scottish thistle), so it seemed reasonable to assume the invading forces would have something, too. Since I did the quilting with black thread, it is easier for you to see the pattern from my sketch.
I haven’t sewn all the buttons on yet, so you’ll see this again, perhaps with another top using the leftover space ship buttons.